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We’re about to learn how comfortable we are in the age of AI photos—and it’s happening soon. I effortlessly snapped this couple vaping on a beach towel. They were right there in the background of one of my vacation photos, really ruining the mood. Google Pixel’s Magic Editor feature captured them with just a few taps, and you know what? I’m fine with that. But what’s hard to accept is that there are boundaries.

The vacation photos I took with my iPhone and edited with my Pixel-8-Pro are exactly what Google’s generative AI editing features are designed for. We went to the beach on Lake Michigan to watch the sunset, and I took a cute photo of my child sitting on my husband’s shoulders. It’s a moment you want to freeze and save in a jar for a lifetime.

Except for a few little guys in the background. Three taps in the Magic Editor and they were gone. But while I was there, I started thinking about what else I could change about the scene. What about a few cars in the parking lot behind them? What about the trash cans in the distance? Maybe I could emphasize the glow of the setting sun a little more?

I fiddled with the AI ​​tools and discovered that, yes, I could do all of those things. But after all these modifications, can I still call these photos of our vacation? Or have I fallen into the “this is a memory, not a photo” trap? At this point I got a little uneasy and simply exited the app.

Things are about to get even weirder. The Pixel 9 series, launching on August 22, will come with a whole new level of generative AI tools that will let you “reimagine” entire sections of a photo. You’ll be able to use AI to add objects and scenery to images with text prompts, or bring everyone into a group photo by merging two different frames. Not only can you tweak the background and lighting of your vacation photos; you can change the location entirely. Cleaning up a few parked cars is nothing compared to what’s going to happen a few days later. Like me, not everyone is on board with this move. In fact, some are running in the opposite direction as fast as they can. iPhone camera app maker Halide just released a new mode called Process Zero that skips AI and multi-frame processing, turning the clock back to the early days of phone cameras, before computational photography. Gen Z is driving a retro digital camera renaissance, seeking a rougher, lo-fi aesthetic that modern phone camera apps, optimized to enhance shadows, increase saturation, and brighten faces, can’t offer.

Personally, I’d rather stick with native camera apps that maximize every pixel. But it’s a powerful response to current data-intensive technology, not unlike the backlash to Google’s recent Summer Olympics gaffe. The company released an ad in which a father used Gemini to help his daughter write a fan letter to her track star idol. It offended many people who thought writing such a letter was the point. Google eventually pulled the ad.

Imperfections are sometimes the point

The thing is, imperfections are sometimes the point. Writing a heartfelt letter that’s word for word is what matters. Smoothing out the edges dehumanizes the final product. I think Gen Z’s preference for choppy, “dumb” digital cameras reflects a similar impulse. When everything looks too good, it feels less personal.

Just like digital processing, we will all find our own ways to use generative AI photo editing, as these tools are certainly not going away anytime soon. For certain types of photos, I think I do like the option to remove distractions from the background. But I don’t need every photo to look polished enough to be printed on a Christmas card, just as I wouldn’t write a letter to a friend like a college application essay. Sometimes, a little grit is perfect.

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(By Loyd Ford) Last week, I talked with a very smart Sales Manager/Market Manager who is looking for work right now. He called to check in, but our conversation rapidly evolved to talking about the power and fear of artificial intelligence and sales.
By now you’ve heard it all. “AI will replace us all.”  AIcan do your work.” “AI is too complicated for me to learn it.” “AI is so scary it makes me go into lockdown.” “AI can’t be better than me.”
He asked a few questions and then said, “I’m amazed at what I am learning about artificial intelligence that already makes me more valuable on the market for radio today. Learning these skills will allow me to explode my positive impact on sales teams and revenue at a much higher and faster pace than before.”
Of course, I shared with him aspects of new artificial intelligence tools that can allow local radio groups to launch tangible creative ideas that can help sellers create more productive cold calling by showing advertisers proof of something they want and “can’t unhear.” That creates more buying.
That’s when he talked about what he has learned about speed now available to sellers and sales managers because of AI in creating sales opportunities, presentations, data, and rapid influence.
Finally, he said, “People fear being replaced by AI, but the truth is more like this. You are less likely to be replaced by artificial intelligence than almost anyone thinks, but we are all more vulnerable to being replaced by someone who is using AI to become much more productive than you are now.”
Let’s be direct. In a world where radio groups and local owners need leadership that knows more about new technologies like artificial intelligence and how to use it to create more productivity, don’t you want to know the person I talked to this week about this who is looking for a job? It’s just a phone call.
There are a lot of different ways to increase your sales. But please let me point out what my friend looking for a job is really saying and why this should be a big part of your focus now. 
Money isn’t real. It’s only important when you don’t have any. Sales come and go, but your time is essentially most valuable. Learn how to use AI to increase your sales by destroying how much time it takes you to do things AI can do in just minutes. Or less.
And time is money. But you already know that.

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“I’m very aware that I could wake up tomorrow and my job could be gone,” says Jess Hyland.
The video game artist says the industry she’s spent almost 15 years working in is on “shaky” ground at the moment.A boom in players and profits during the pandemic sparked a flurry of investments, expansions and acquisitions that, in hindsight, now look short-sighted.Gaming remains profitable, but thousands of workers worldwide have lost their jobs, and successful studios have been shut down over the past two years.More closures and cuts are feared.”Everyone knows someone who’s been laid off. There’s lots of worry about the future,” says Jess.Some bosses are talking up the potential of generative AI – the tech behind tools such as ChatGPT – as a potential saviour.Tech giant Nvidia has shown off impressive development tool prototypes, and gaming industry heavyweights such as Electronic Arts and Ubisoft are investing in the tech.It’s claimed AI tools can save development time, free workers up to focus on creativity and provide a more personalized user experience.With budgets at the blockbuster end of the industry spiraling as audience expectations rise with them, it sounds like a perfect solution.But not to everyone.’Jobs are going to change'”The people who are most excited aboutAI enabling creativity aren’t creatives,” says Jess, a member of the Independent Workers Union of Great Britain’s game workers branch. She sits on its artificial intelligence working group.Against the backdrop of widespread layoffs, Jess says the suspicion among workers is that bosses see AI as a path to cutting costs when labor is their biggest expense.Jess says she knows one person who’s lost work due to AI and has heard of it happening to others.There are also dozens of accounts online suggesting that jobs in concept art and other traditionally entry-level roles have been affected.Most firms making AI tools insist they’re not designed to replace humans, and there’s broad agreement that the technology is a long way from being able to do so.Jess says the bigger worry is that “jobs are going to change, but not in a good way”.Rather than creating their own material, says Jess, artists worry they could end up supplementing AI’s efforts, rather than the other way around.Copycat fearsIt’s a view echoed by Chris Knowles, a former senior engine developer at UK gaming firm Jagex, known for its Runescape title.”If you’re going to have to hire actual human artists to fix the output, why not harness their creativity and make something new that connects with players?” he says.Chris, who now runs UK indie studio Sidequest Ninja, says that in his experience smaller developers are generally unenthusiastic about using generativeAI.One of his concerns is around cloned games.Online game stores – where indie developers make most of their sales – are life with imitations of original titles.This is especially true of mobile games, says Chris, and there are studios set up “entirely to churn out clones”.It’s not yet possible to rip off a whole game using AI, he says, but copying assets such as artwork is easily done.”Anything that makes the clone studios’ business model even cheaper and quicker makes the difficult task of running a financially sustainable indie studio even harder,” says Chris.He also points to the huge amounts of electricity required to run generative AI systems as a big concern.Copyright concerns over generative AI – currently the subject of several ongoing legal cases – are one of the biggest barriers to its wider use in gaming right now.Tools are trained on vast quantities of text and pictures scraped from the internet and, like many artists, Jess believes it amounts to “mass copyright infringement”.Some studios are exploring systems trained on internal data, and third parties advertising ethical tools that claim to work off authorized sources are springing up.Even then, the fear is that AI will be used to turn out assets such as artwork and 3D models at scale, and the expectation on workers will be to produce more output.”The more content you can make, the more money you can make,” says Jess.
Some in the industry are more positive about AI.Composer Borislav Slavov, who won a Bafta Games Award for his work on Baldur’s Gate 3, told the BBC he was “excited about what AI could bring to the table for music in the near future”.Speaking at the recent Games Music Festival in London, he said he believed it would enable composers to “explore music directions faster” and push them out of their comfort zones.”This would allow the composers to focus way more on the essence – getting inspired and composing deeply emotional and strong themes,” he said.However, he did agree that AIcould not “replace the human soul and spirit”.While she has serious personal reservations about using the tech to “automate creativity”, Jess says she wouldn’t be against using it to bear the burden of some of the more repetitive admin tasks that are a feature of most projects.

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This month, Apple held its developer conference, called WWDC. It’s an annual event that’s typically used to showcase the company’s most important innovations. Many of this year’s presentations were devoted to artificial intelligence (AI), or what Apple calls “Apple Intelligence.”
While Google and Microsoft have made forays into AI with Gemini and OpenAI, respectively, Apple has so far taken a narrower approach. The AI ​​models deployed on iPhone hardware are relatively weak. AI models are evaluated by their many “parameters,” or variables that are adjusted during the training process. OpenAI’s GPT-4 has more than 1.5 trillion parameters, while Apple’s model has 3 billion.
For queries that require more processing power, users can choose to outsource tasks to ChatGPT via the cloud through an enterprise licensing agreement. The licensing agreement appears to be in exchange for access to OpenAI, not payment. In other words, there’s no superintelligent thinking machine at Apple — at least not yet. As a result, the response to the presentations at the conference was somewhat muted. John Herman in New York wrote that this reflects “Apple’s cautious approach,” perhaps concerned about investing too much in technology that isn’t as advanced as I’ve been hyped. Josh Tyrandziel of The Washington Post described Apple Intelligence as “the first rational theory of AI for the masses,” praising the partnership between the established computing company and the startup OpenAI and its limited scope of application. We should celebrate the fact that Apple has not yet fully entered the AI ​​arms race. Google’s rapid pace of catching up with Microsoft’s AI development is already accelerating the decline of Google’s search tools. However, my impression of WWDC is not very optimistic. In a sense, Apple Intelligence, a small model that will eventually be installed in more than 1 billion iPhones worldwide, is a key step in determining its fate. In other words, once AI enters our personal lives, there is no turning back.
《New Personal Intelligence System》As demonstrated in the presentation, the upcoming iPhone AI can rewrite emails on your behalf, aggregate text messages for active groups, and sort notifications to see which messages appear first, and you can also sort them. Apple CEO Tim Cook described the tool as not just a tool, but a “new personal intelligence system” that acts as a semi-autonomous second brain.
His comments reminded me of Steve Jobs, who declared in 1990 that computers were “intelligent bicycles.”
Apple says its AI tool will be more dynamic and useful than OpenAI’s ChatGPT because it will have access to all your daily information, such as where you travel, what books you read, who you talk to on the phone (ChatGPT, despite its amazing capabilities, still operates in a limited prompt window). “AI tools need to understand the user and be rooted in their personal context, including their daily lives and relationships,” Cook said at WWDC. Apple’s voice assistant Siri, which has been in the iPhone since 2011, can (mostly) understand what you say, set alarms, and check the weather. Meanwhile, Apple Intelligence operates like a turbocharged Siri, more like a ghost inside the machine, controlling the iPhone’s functions.
In the AI ​​community, such tools are called “agents.” With access to all your contacts, messages, and calendars, agents can help you plan your life. Apple gave the example of asking the tool to “play the podcast my wife sent me the other day.” While it would be great to have a machine that can decipher such ambiguous expressions, it also means that your iPhone needs to understand who your wife is and sort out your conversations with her, which I have to think about.
The fact that Apple’s AI is designed to work on the device itself, rather than through the cloud, provides some protection for users’ vulnerable personal data. However, generative AI is still prone to random misunderstandings and “hallucinations.” Hallucination is an AI term that is a euphemism for dramatic errors. AI does not have the ability to determine what is factually accurate or relevant to reality. Cook told The Washington Post in a somewhat uncertain tone that while the tool will never be 100% accurate, “I believe it will be of very high quality.”
It would conceivably take only one freak accident to turn iPhone users away from AI. Another question asked at the conference was “When does my mother land?” If answered incorrectly, it could lead to a huge mistake at the airport pick-up. Even more terrible is the disaster of “reply all.” The AI ​​might misunderstand the word “everyone” and send an email to everyone in your contact list. If you don’t respond to your boss’ message right away, the AI ​​might notice and start hiding it (generative AI is known for affirming your wishes, and they even generate false facts through hallucinations based on fictional sources, such as websites and books).
AI is everywhere in our livesThe Apple event marks a softening of its closed-off attitude toward personal technology. Under Jobs and designer Jonathan Ive, Apple’s position is that its products are perfectly designed and therefore self-sufficient. Apart from the superficial choice of iPhone case color, there is no need for customization, and the operating system and graphical interface are also unified.

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As digital entertainment is increasingly integrated into people’s daily lives, Sony’s PlayStation series has been committed to providing players with an excellent gaming experience. On June 19, Sony officially announced on the PlayStation blog that its handheld remote play device PlayStation Portal has ushered in an important system update. This update not only adds a number of long-awaited features for users, but also significantly improves the portability and user experience of the device, marking an important step for PlayStation Portal in providing a seamless and convenient gaming experience. One of the most eye-catching updates is that PlayStation Portal now supports connecting to public Wi-Fi networks that require login. In the past, players who wanted to use Portal for remote gaming in hotels, cafes or other public places with free Wi-Fi may encounter network connection obstacles. After this update, Portal can generate an on-screen QR code. Players only need to scan the QR code with their mobile phones to easily log in to the public network, greatly improving the portability of the device and the diversity of usage scenarios.
The addition of this feature is obviously in response to users’ needs to take Portal away from their home network. Nowadays, with the accelerated pace of people’s lives, more and more players want to enjoy the fun of games while traveling. Whether in the departure lounge waiting for the plane to take off or enjoying the afternoon in a cafe, players can connect to the PlayStation 5 console at any time through Portal and continue their gaming adventure. At the same time, the updated Portal also allows players to directly view the battery percentage in the status bar in the upper right corner. Before this, the power level was only displayed as a vague power icon, and players often had difficulty accurately judging the remaining power of the device. Now, whether in the game process or checking the status of the device before going out, players can clearly grasp the power status of Portal at a glance, so as to better plan their usage time.
It is worth mentioning that while announcing these updates, the PlayStation blog also implicitly mentioned the “unexpected success” of Portal. Although Sony did not disclose specific sales data, it is not difficult to read between the lines that this handheld remote play device has won considerable attention in the market. This may be inseparable from the new gaming experience that Portal brings to players. By bringing console games to more scenarios, Portal not only expands the possibilities of games, but also allows more players to find moments of relaxation and entertainment in their busy lives.
In addition, the blog post also mentioned that players who own Portal are often exposed to the remote play function for the first time. In the first few months of owning Portal, their overall PS5 game time also increased. This data not only proves the effectiveness of Portal in attracting new users, but also shows its potential in increasing user stickiness and game time.

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On the morning of the 21st, the Beijing International Film Festival Industry Forum: Building and Breaking Under the Changing Situation of the Film Industry was held at the Langyuan Station punctual theater. Photo by Beijing Daily reporter Gan Nan
　　What impact will artificial intelligence have on the film and television industry? What do you think of the new short drama format that has exploded recently? Yesterday, the 14th Beijing International Film Festival Industry Forum was held. Focusing on “establishment and destruction under China’s industrial changes”, domestic and foreign guests spoke freely and sparked many sparks of thinking.
　　The film industry needs to try to “embrace” AI

　　At the beginning of this year, the birth of the Sora model aroused heated discussions throughout the industry, leading the film into a new era to a certain extent. Talking about the changes AI will bring to the film industry, Wang Changtian, chairman of Beijing Enlight Media Co., Ltd., believes that overall, AI will become a major tool available to the industry. “First of all, AI can improve the efficiency of film production, especially animated films; second, it may reduce costs, which will be a huge boost for the film industry with a high loss rate; third, as a technology, AI “It can improve the quality of film production and avoid the emergence of low-quality products.” But he also said that AI makes good creativity and unique aesthetics more and more difficult, and produces a large amount of homogeneous content, which also makes good content more difficult. stand out.
　　”Movies are produced by technology, not by art.” Director Huang Jianxin traced the history of movies from a single shot to multiple sets of shots, from silent to sound, as well as the several changes brought to movies by visual effects, IMAX and other technologies , believes that technology is the support and driving force of movies. He bluntly said that AI is a “good thing” and “it will only benefit us to establish a good relationship with it, so we must embrace AI.”

　　Actor Chen Chong was deeply moved by the recent news about AI “resurrecting” the dead, and her views are quite philosophical. In her view, if AI can generate a person’s appearance and behavior when he was young, will this corrode human memory of the past and cause people to “lose” themselves? In addition, she feels that the biggest danger of AI is that it trains humans no less than humans train AI. Will this lead to human thinking getting closer to AI? “It’s not that AI has replaced me, but that I’m becoming more and more like AI.”

　　Improving movie viewing experience to cope with the impact of short dramas
　　Talking about the new short drama format that has emerged recently, the forum guests all held an open and inclusive attitude. They believed that the existence of short dramas has made the industry richer and more diverse in terms of content, channels, etc., and the overall view was relatively positive and optimistic.
　　”There will always be popular products, but no product can be popular forever.” Wang Changtian said with a smile that short plays are the hottest trend at the moment because they are easier to produce and the business model is smoother. He encourages young people to make short plays. But he also stated that Enlight Media’s current positioning is purely to make movies, and they want to challenge “the most difficult content to make.”

　　Cameron Bailey, CEO of the Toronto International Film Festival, said that there is a difference in consumer experience between short plays and movies. Film creators hope that their works can provide audiences with a collective viewing experience, while short plays are usually for users alone. Consumption. Therefore, the two products are significantly different in technology, creative ideas, and business models. Chen Chong believes that there should be no “chain of contempt” between audio-visual products, it’s just that the media are different.

　　Under the impact of short videos represented by short dramas, how should traditional movies respond? IMAX China CEO Meng Danqing proposed that theaters should try various innovations to improve the audience experience. “We have recently tried showing sports games and concerts in theaters, and the results have been very good. For the audience, a theater has delicious popcorn, comfortable seats, appropriate air conditioning, and a large and clear screen… In addition to pure content, these “Detailed experience is so important and will affect the entire industry,” he said, hoping that his words would be heard by theater bosses and taken seriously. (Beijing Daily reporter Yuan Yuner)

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Google’s chatbots are apparently getting a makeover in 2024. Names, apps, premium versions… we’ll tell you everything about what’s next for Bard.
In the field of AI, ChatGPT and Bader continue to compete. With all the new features coming out in terms of OpenAI chatbots, Google is interested in developing its product quickly so as not to fall behind. If we believe this new leak, we are obliged to quickly deliver something new that the American company seems to have understood well.
Bard becomes GeminiBud soon stopped being Bud. This is what a leaked document from X (formerly Twitter) shows, announcing that the update will be released on February 7th. We learned that Google’s chatbot will be renamed its Gemini language model.

This isn’t the only news we’ve received. In fact, like ChatGPT Plus, a more powerful version, Gemini Advanced, will also be launched. This will benefit from Gemini’s Ultra 1.0 version, which will make it “more capable of performing very complex tasks such as coding, logical reasoning, following nuanced instructions and creative collaboration. »

Application in pipelineThe price of this service is currently unknown. It will be optimized for English-language communication first, while being deployed in nearly 150 countries around the world. It’s enough to please any serious AI, user, even if Google’s announcement doesn’t stop there.

In fact, as we told you in the title, Google is using this update to communicate on future Android and iOS apps for Bard/Gemini. It will be available in English, Japanese and Korean first, with other languages ​​to follow. The only faltered is that most countries in the Old World will be excluded from this launch, as the app is not available for the European Economic Area countries to which the UK, Switzerland and France are a part.

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CES Innovation Award winners track 1,000 employees across 247,000 square meters of Denmark’s largest hospital

THE HAGUE, Netherlands , Jan. 8, 2024 /PRNewswire/ — TokenMe is a Dutch company that uses mobile sensors,AI and real-time monitoring to make construction projects safer, more cost-effective and productive, today announced the launch of its first large-scale project: the new Odense University Hospital (OUH), Denmark’s largest hospital. TokenMe installed nearly 500 wall-mounted sensor hubs (anchors) at OUH construction sites in 2023 and delivered 1,500 wearable smart badges (tokens) to track tasks, assets and 1,000 new “super hospitals” workers, covering an area of ​​​​247,000 square meters and providing 10,000 rooms in 7 buildings . results of TokenMe Intelligent Monitoring are published on intuitive dashboards used by general contractor management, risk managers, subcontractors and security teams.

TokenMe will demonstrate its solution live at the Netherlands Pavilion at the Consumer Electronics Show in Eureka Park, Expo Venice, from January 9 to 12, 2024, booth number 62100-33. TokenMe offers a demo kit that can be taken to a customer’s site to run 6 anchoring trials in minutes. Watch this short video to learn more about TokenMe. Aroldo Tegon, project manager for the new Odense University Hospital construction project, explains: “Both the construction companies CMB and Itinera, which led the Odense Hospital project team, have invested in TokenMe and other technologies because we recognize their value. Live from TokenMe Data helps reduce risk, monitor environmental factors and assist in the decision-making process.”

“Large construction sites pose additional risks due to their sheer size,” added Brian Taamoli, risk manager on the Odense Hospital project team. “With TokenMe’s smart construction monitoring, we are now able to track 1,000 construction sites across more than 22 kilometers of corridors workers. Delivery. The system was implemented in early 2023 and employees are satisfied with it as they are educated on GDPR compliance and functionality.”
How TokenMe works

TokenMe uses wireless tag and sensor technology to monitor “boots on the ground” and improves construction site safety using UWB, LoRa, WiFi and BLE technologies. Construction workers wear smart badges or helmet tags (tokens) that transmit anonymous data to battery-powered mobile anchors installed at strategic locations throughout the site. Anchors send information (worker presence, movement, temperature, humidity, loud sounds, air quality and light intensity) to the TokenMe database (in the cloud or on-premises) where the data is processed using artificial intelligence and rules to provide meaningful information Real world data. Temporal insights and predictions into construction processes and building conditions.
TokenMe dashboards visualize data as charts, lists, and maps outlining task execution, location of materials and equipment, real-time presence of personnel, and progress tracking and forecasting. Falls are one of the highest risks leading to fatal accidents. TokenMe uses fall detection and a “Request Help” button to generate warnings and critical alerts. The solution is easy to install, significantly improves safety, reduces delays and lowers project costs.
TokenMe’s monthly subscription model enables rapid adoption with low capital investment.

“Deadlines in the construction industry are tight, but most project management tools fail to provide real-time visibility into subcontractor activity and consistent progress reporting,” said Hans van Leeuwen, CEO and founder of TokenMe. “The service TokenMe offers is not Available on a weekly basis. or monthly timesheet reporting, but with real-time counts and worker locations, and the ability to proactively and predictively plan for thousands of people and assets. We are very proud to be a CES 2023 Innovation Award winner and look forward to working on Demonstrate the next generation of artificial intelligence-driven TokenMe to industry leaders at the CES booth.”

About TokenMe
Founded in 2020, TokenMe is a cutting-edge systems-as-a-service company on a mission to transform the construction industry by harnessing the power of artificial intelligence and advanced wireless technologies to improve safety, efficiency, productivity and sustainability. Privately held company headquarters in the Netherlands, with a manufacturing facility in Singapore and sales teams located in the United States, Europe and Japan.

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The tech sector has kicked off the new year with a spate of fresh job cuts that are coming at the same time as the industry is doubling down on investments into artificial intelligence.

While AI tools putting workers out of jobs has been a major point of anxiety in Silicon Valley and beyond over the past year, not all the recent layoffs in the tech industry are directly linked to AI tools simply replacing workers.
But many of the recent job cut announcements have come on the heels of those same companies disclosing major investments into AI technology as they look to reallocate resources, and a growing number of tech firms have explicitly cited AI as a reason for rethinking head counts.
accusation

The continued labor upheaval unfolding in the very industry creating AI could point to more unrest to come as the technology is forecast to reshape the broader business landscape in the years ahead.
More than 5,500 tech layoffs less than two weeks into 2024The latest rounds of tech job cuts are occurring across a range of roles and in both Big Tech companies and smaller startups.

Tech giants Google and Amazon both announced sweeping layoffs this week impacting hundreds of workers across various business divisions. News of the job cuts at Google and Amazon come months after both companies separately announced multi-billion-dollar investments into AI startup Anthropic.
Also this week, social platform Discord said it was trimming 17% of its staff. Unity Software, the maker of technology used in popular mobile games such as Pokemon Go, said it was cutting 25% of its workforce. And the language-learning app Duolingo said it laid off around 10% of its contract workers.All told, there have been more than 5,500 tech employees who have lost their jobs less than two weeks into 2024, according to data compiled by Layoffs.fyi.

And the latest cuts in tech come after a very painful two years for the industry, marked by hundreds of thousands of workers losing their jobs amid a reset in pandemic-induced demand.
There were some 262,682 tech industry layoffs recorded in 2023, per Layoffs.fyi data, after 164,969 cuts the previous year.
Pandemic demand recoils as AI anxiety takes holdRoger Lee, a startup founder who has long been tracking tech industry layoffs via his website Layoffs.fyi, told CNN that many tech companies are still trying to “correct for their overhiring during the pandemic surge.”

The onset of the Covid-19 pandemic led to skyrocketing demand for digital services as people around the world were forced to work, socialize and shop from home. Against that backdrop, the tech industry went on a remarkable hiring spree. But as pandemic restrictions eased in the years that followed and broader macroeconomic uncertainty set in, the tech industry saw its greatest retraction since the dotcom bust of 2000, cutting tens of thousands of jobs in rapid succession.While Lee says the high interest rate environment and tech downturn have lasted longer than initially expected, he adds that “an increasing number of tech companies have cited AI as reason for layoffs.”
Last year, companies including Chegg, IBM and Dropbox cited the onset of AI as a reason to rethink staffing. More recently, Duolingo and even Google have suggested the same as they seek to mobilize resources to capitalize on the AI ​​boom.

As the full extent of AI’s impact to the labor market is still revealing itself, researchers have said that hundreds of millions of jobs globally could be impacted, though the tech could simultaneously have the potential to create new and different jobs in the future.
Goldman Sachs economists said in a research note last March that as many as 300 million full-time jobs around the world could be lost or diminished by the rise of generative AI technology and that white-collar workers appeared to be most at risk. Separate research also indicates that women’s jobs could be disproportionately impacted by businesses’ adoption of AI in the years ahead.
Disparate impacts of tech job cuts come under scrutinyAs the tech industry layoffs continue, labor advocates and even legislators are taking notice.

The Google workers who lost their jobs this week were shocked to find out via email that they were being laid off, according to Parul Koul, a Google software engineer and president of the grassroots Alphabet Workers Union, a CWA-affiliated group that is organizing workers throughout Google’s parent company Alphabet.
Koul slammed the layoffs as “unnecessary and counterproductive” in a statement to CNN on Friday that blasted “corporate greed.”

“The layoffs introduce chaos and instability into the workplace and force workers to make do with less,” Koul added, saying even those that remain on the job “work in constant anxiety that they will be next.”

Google, for its part, has said that the cuts were to help the teams “become more efficient and work better,” and that it is supporting impacted employees “as they look for new roles here at Google and beyond.”
Some legislators, on the other hand, have recently taken aim at reports of the tech layoffs’ disparate effects on certain workers.A coalition of more than two dozen Black legislators led by Democratic Reps. Emanuel Cleaver of Missouri and Barbara Lee of California expressed concerns over the “ impacts of widespread layoffs within the tech industry and its disproportionate impacts on the African American community and women” in a letter late last month to acting Labor Secretary Julie Su that was obtained by CNN.

“Recent findings have consistently shown that minorities and women are vastly overrepresented in industry layoffs,” the letter said.
The legislators pressed the Department of Labor to pay attention to these ongoing mass layoffs and to do more to protect the workers most at risk of losing their livelihoods

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